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Here are all the paintings of Carl Spitzweg 02
| ID |
Painting |
Oil Pantings, Sorted from A to Z |
Painting Description |
| 96693 |
 |
Susanna im Bade |
oil on panel
Dimensions 19,8 x 23,3 cm
cyf |
| 44019 |
 |
The Angler |
Oil on wood,
25,5 x 18 cm |
| 84679 |
 |
The Angler |
Date first half of 19th century
Medium Oil on wood
Dimensions Height: 25.5 cm (10 in). Width: 18 cm (7.1 in).
cjr |
| 88581 |
 |
The Angler |
first half of 19th century
Medium Oil on wood
cyf |
| 56226 |
 |
the bookworm |
mk247
c.1850,oil on canvas,19x10.625 in,49.5x27 cm,museum georg schafer,schweinfurt,germany |
| 60918 |
 |
The Bookworm, |
The Bookworm, 1850.
|
| 40720 |
 |
The Farewell |
mk156
1855
Oil on canvas
54x32cm
|
| 33915 |
 |
The Poor Poet |
mk87
1839
Oil on canvas
36.3x44.7cm
Berlin,Nationalgalerie
|
| 40687 |
 |
The Poor Poet |
mk156
1839
Oil on canvas
36.2x44.6cm
|
| 21429 |
 |
The Poor Poet (mk09) |
1839
Oil on canvas,36.3 x 44.7 cm.Berlin,Nationalgalerie |
| 60932 |
 |
The Poor Poet, |
The Poor Poet, 1839. Neue Pinakothek
|
| 86076 |
 |
Turken in einem Kaffeehaus |
1855(1855)
Medium Oil on canvas
Dimensions 52 x 41 cm
cyf |
| 86813 |
 |
Venetian Street |
1850(1850)
Medium Oil on wood
cyf |
| 97630 |
 |
Violine spielend |
circa 1862(1862)
Medium oil on canvas
Dimensions 31 x 54 cm
cyf |
| 75000 |
 |
Werber in einer Schenke |
Werber in einer Schenke. 1783 Maße: 80,4 x 108,2 cm
Standort: Bayerische Staatsgemäldesammlungen
Date 1783(1783)
cyf |
| 68570 |
 |
Wo ist der Pass |
1848 / 1850
Oil on panel
Deutsch: 32,8 ?? 29,7 cm
|
| 87572 |
 |
Zeitungsleser im Garten |
Date 1847(1847)
Medium Oil on canvas
Dimensions 31,5 x 26,5 cm
cjr |
| 92305 |
 |
Zeitungsleser im Garten |
1847(1847)
Medium oil on canvas
Dimensions 31,5 X 26,5 cm
cyf |
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| Carl Spitzweg
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| German Painter, 1808-1885
German painter. He trained (1825-8), at his father's insistence, as a pharmacist, by 1829 becoming manager of a pharmacy in the Straubing district of Munich. From 1830 to 1832 he made advanced studies in pharmacy, botany and chemistry at the University of Munich, passing his final examination with distinction. On receiving a large legacy in 1833, which made him financially independent, he decided to become a painter. He had drawn since the age of 15 and had frequented artistic circles since the late 1820s; but he had no professional training as a painter. He learnt much from contacts with young Munich landscape painters such as Eduard Schleich the elder and produced his first oil paintings in 1834. In 1835 he became a member of the Munich Kunstverein but left two years later due to disappointment over the reception of the first version of the Poor Poet (1837; Munich, Neue Pin.; second version 1839; Berlin, Neue N.G.), a scene of gently humorous pathos that has since become his most celebrated work. Spitzweg's decision to leave the Kunstverein, however, was also encouraged by his first successful attempts to sell his paintings independently. In 1839 he travelled to Dalmatia, where he made sketches that he used for many later works on Turkish themes (e.g. the Turkish Coffee House, c. 1860; Munich, Schack-Gal.). From the 1840s he travelled regularly, usually with his close friend, the painter Schleich, both within Bavaria and to Austria and Switzerland and also to the Adriatic coast, especially to Trieste.
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